The film’s development team included Donald Goldsmith, a well-known astronomy writer on the Carl Sagan Cosmos team, and Albert Van Helden, a leading authority on the history of the telescope. It was shot on RED Digital Cinema at the world’s leading universities and observatories including the European Southern Observatory, Institute for Astronomy, SETI Institute, Space Telescope Science Institute, Anglo-Australian Observatory, and Harvard University. Among the production team’s challenges were shooting the Atacama Large Millimeter Array (ALMA) at 5000m on the Atacama Desert. The original score was composed by Mark Slater and recorded by the London Symphony Orchestra at Abbey Road Studios.
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